J.T.: You?ve done films on presidential lookalikes and enigmatic musicians. What inspired you to do a film on Pruitt-Igoe?
C.F.: I was doing some research on how to decorate my home that I just bought in mid-century style. In the process of researching modern architecture, I came across Pruitt-Igoe. It was fascinating to me because encoded into this idea of modern architecture was the idea that you could have social change come about and Pruitt-Igoe was viewed as this failure of it. And then slowly as I researched it I came to decide it was a much deeper story than an architectural one.
J.T.: You make tremendous use out of the archival footage, and it is effective in helping tell the story. Can you tell us about the process of going through and picking out stock video and photos?
C.F.: We had made a couple of arrangements with local archives and we gradually accumulated wonderful footage over time. So that?s one of the reasons the film took 4 and a half years to make. In a way it opened up new creative avenues I hadn?t considered going into the film. Obviously there are a bunch of old images of Pruitt-Igoe in decay, and there are few of Pruitt-Igoe when it was brand new, but having access to all of this wonderful old footage all of a sudden opened up a new way of storytelling. And, in a way for me, it humanized the project and the experience of the residents who lived there.
J.T.: How did the process of making this film change your overall perception of the Pruitt-Igoe legend?
C.F.: Well, I guess one thing is that it makes me think of it in terms of other than a legend, other than this myth we are addressing in the film. Now, whenever I approach Pruitt-Igoe, I try to think of it in terms of not too different from the impact that was taking place in St. Louis during the day. Before, I looked at Pruitt-Igoe as a stand-alone entity. Now I will think of it as something that was deeply affected by St. Louis? decline in the post-war years. That would be number one. Number two, I tend to think at it from a resident?s perspective as opposed to something viewed from the outside. I think that?s how people approach Pruitt-Igoe for the first time is that as an outsider and viewing it as a homogenous experience where residents lived the same way. We know that many of the residents had diverse experiences in Pruitt-Igoe. Some turned to crime, as is the legend, and others lived very profitable and normal lives in Pruitt-Igoe. So those are the two big differences I?ve taken away is viewing in its context and thinking of it from the perspective of those who lived there.
Justin Tucker, April 05, 2011
Source: Insidestl.com