Tell us about your new film, Mission Statements, The Architecture of Diplomacy.
JdH: After finishing my last film on Africa, I had the idea to make a film about the Netherlands because everybody was talking about the identity of the country because of the immigrants. They said that they have knocked our identity but we are all the same, we are all individuals and I thought of a means to tell this story. The Dutch government in the 90s started the programme of promoting Dutch architecture through commissioning embassies. A couple of new embassies developed in Africa and South America and then the government suddenly had to respond to that question: if you want to build in another country and you want to show your face what do you show? I had a plan to film a couple of embassies that could tell that story. So here again architecture was used to tell a story other than just a building.
You not only show how the architects communicate history and identity through architecture but also how people make use of these symbols that makes the film very humorous.
JdH: We started shooting with idea not only showing the building but the thoughts behind it through the story of the architects. But I also wanted to show how the average Dutchmen who live in those icons accept these. You see that there is a conflict because these average Dutchman might not be interested in culture that much because they are diplomats they used to talk to people they are not interested in space and suddenly they were confronted with this conceptual idea of bringing out architecture with all these ideas, links to historical facts. All these different levels came in and you could see that the people normally not used to that now using it as means of dialogue. There are lots of things to laugh in the film because you see that conflict. In the end you come to the conclusion that it is so good the use culture as means for understanding another world.
The same dialogue happened between the client and architect?
JdH: The client was very open and liberal and they choose the best architects they could think of. If you ask someone to come up with an icon to your country you have to think about that. All the architects started with finding out how they could relate to that country and not bring themselves in. When someone is only talking about themselves is boring. But if you ask the other, there is a dialogue. And the architects all understood that they have to do something with what already existed there. So they made use of traditional architecture, of historical facts. In Berlin Rem Koolhaas made use of the epic history of Berlin and the East West divide. The buildings show an adaptation towards the other countries, it is completely different from the embassies that were built in the 19th century where people really wanted to express their identities.
Daniella Huszár and Noémi Soltész, October 8, 2011.